March 20, 2009

Everything That Is Wrong With Our Shitarse Country Made Flesh In One Frail Human Being

A couple of weeks ago I was banging on as usual about what everyone could already see for themselves - that the reason we are in such a fine mess was because Margaret Thatcher deliberately wiped out any counterbalances to the City of London (financial services industry).

This meant there was no one left with any political authority to say

 "letting 28-year-olds make massive bets with other people's money, pay themselves billions of pounds of bonuses based on what they claim the bets are going to win some time in the future, [and] retire at 35 to set up an organic single estate first press olive oil importing business because they've always been passionate about the finest ingredients"

isn't the only possible way to run a country.

The pixels weren't dry on the page before the Independent had a double page feature (I can't be bothered to find a link to it - why would I make this up?) on Harry Blain, the owner of the Haunch of Venison art retail outlet.

Harry was brought up in Surrey, went to Eton, and was a stockbroker before he retired to set up an organic single estate first press olive oil, sorry, art gallery in Mayfair.

You see what I mean?

March 18, 2009

Bruce Sterling Hates Me! #sxsw

The best bit of South By Southwest has been Bruce Sterling's talk in which he spent most of it shouting angrily at us for not living up to our responsibilities as an audience.

Instead of keeping our side of the bargain and paying proper attention, both when we should be present and participating in the room and throughout the long term relationship between us and the artists we claim to like, we are spending all our time first twittering when we should be listening, then pirating books and records, not bothering to work hard enough (in fact not needing to bother at all) to search out and own obscure records on vinyl or second hand paperbacks.

He went further than decrying piracy and pretty much said everything digital was shit and was killing art.

And he proved his contempt by eating crisps and drinking beer all the way through the talk and giving away copies of his book to anyone under twenty five, helping them to understand what he was doing by explaining that books were "lots of words in a row".

In return for us not being good audiences any more, artists are going to back out of their side of the deal.

No more H.P. Lovecraft spending a lifetime dedicated to the service of the horror writing community of America, helping everyone who turned to him, with their personal as well as professional problems, then dying in poverty at 42.

And much worse for the audience in the room, no more open invites to Bruce Sterling's house for a party during SXSW.

We didn't deserve to be asked.

March 09, 2009

I Just Don't Like Being Taken for a Mug

Saturday's Guardian sport had an "interview" with the Fulham footballer Danny Murphy that was blatantly cut-and-pasted from an email written by a PR person from the club.

How could anyone think that this sounds like real human speech patterns?:

"Like them, Fulham are now an efficient unit, hard to beat. We don't play with great width, attacking wingers and dribblers, but with effective team players who get it down and play."

And that is just two lines taken from a speech of no less than 140 words long, end to end.

Danny Murphy's words are in quotation marks, next to a big photo of the player, under the heading "Saturday interview", so to me that is claiming it's him talking.

I'm sure this happens all the time - this isn't the first time I've thought "that doesn't sound like a person talking" - and that I'm the only one who isn't already in on the joke. I'm not even all that bothered - the tabloids are probably nothing but.

I just don't like being taken for a mug when it's so badly written.

It must be easy to build or adapt software that scours news sites for anything within quotes, analyses the word patterns and marks up those that were written by PRs - it probably already exists somewhere. If you mashed this up (are they still called "mash ups"?) with PR company client lists and the names of in-house PRs and cross referenced it with journalists' names, you could map who was lying on behalf of who (should that be "whom"?).

You could probably even build in some sort of quality scale to identify the PRs who were crap writers and which journalists were laziest.

February 11, 2009

It's No Good Blaming the Bankers Now

We all ate in the restaurants that their lunches kept busy.

We all went to the art galleries that fed their art market.

We all re-mortgaged our houses in the property boom that their bonuses fueled.

Didn't we?

February 09, 2009

Snotty Poems

Text messages poem on hankie

That says:

TRAIN TRAIN
The countryside outside's as black as oil
as next to me my face -
eyes colour of my eyes -
keeps pace.

A while ago Lisa went to see the textiles research centre here in Huddersfield, and for want of anything better as a demonstration, got them to embroider some poems from Text Messages onto hankies.

I've got a cold, and found this one at the bottom of a drawer.

I quite like the old-fashionedness of having an embroidered hankie, even if the embroidery was done by a laser guided machine rather than my sweetheart.

January 13, 2009

"There is no alternative." Remember that one?

"There is no alternative." Remember that one?

It is what Margaret Thatcher said at the height of the recession of the early 1980s to justify her economic policy.

But that recession wasn't an unforeseeable and unstoppable tsunami any more than this one is.

That recession, if not politically generated, was used, with malice aforethought, by Margaret Thatcher's government to remove any counterbalancing political, economic, social and cultural centres of power that might offer an alternative to the dominance of the City of London [global financial services] in the UK - those counterweights being the industrial and manufacturing city-regions, mostly centre-left politically.

And that is exactly how we've got ourselves into the fine mess we are in now.

Because since then there has been no world view, and no point of view from which to have it, that carried enough weight to say

"Umm. Err. Umm. Err. Maybe letting 28-year-olds make massive bets with other people's money, pay themselves billions of pounds of bonuses based on what they claim the bets are going to win some time in the future, retire at 35 to set up an organic single estate first press olive oil importing business because they've always been passionate about the finest ingredients, and leave everybody else to face the consequences when the bets not only don't win but turn out never to have had any way of winning except by using them to make more bets and pay more bonuses, might not be the only possible way to run a country."

December 22, 2008

Christmas Cracker Banker Jokes

This is serious. The more scorn and contempt that is tipped on them, the less easy it is for their lobbying money to corrupt governments.

These are Christmas cracker jokes though, so get ready to groan at the low quality. I can take no praise or blame for them, they all come from the www


What do you say to a merchant banker who knocks on your door?
How much do I owe you for the pizza?

What’s the definition of optimism?
An investment banker ironing five shirts on a Sunday evening.

How many bankers does it take to change a light bulb?
One, but only when he's finished stacking in aisle 5.



This one is my favourite, for its brutality:



How do you get a banker out of a tree?
Cut the rope.

December 08, 2008

Secret Society of Angels

I've switched my laptop over to linux ubuntu in the hope that it will force me to learn a bit about how computers actually work.

And I'm going to try and learn linux on the train home from work.

So on Friday evening I started on page 1 exercise 1 of Linux for Dummies.

And got stuck straight away.

I typed in what I thought was the right thing, hit return...

"no such directory"

"no such file"

"no such command"

and so on.

I couldn't get past step one.

After about 10 minutes of sighing, putting my head in my hands and staring out the window at the snow covered moors glowing in the moonlight, I was just about to give up, when the young man sitting next to me, who I'd hardly even noticed he was so quiet and calm, said:

"I use linux. How can I help?"

and spent the rest of the journey giving me a beginners tutorial in linux.

When we got to Manchester Piccadilly I offered to buy him a drink in return, but he said no, there was no need for any payment, and that

"as long as you use linux, there will always be one of us here to help you."

So we shook hands on the platform, and it must have been a trick of the station lights, but there was a sort of glowing circle behind his head.

And when I looked back again he was gone.



NB the important parts of this story are true.


October 13, 2008

World Turned Upside Down

"For 30 years, greedy, callow, ignorant financiers, supported by no less callow politicians from all the political parties, have proclaimed the wonders of financial innovation and how proud we all should be of the City of London. The price tag for their behaviour is an economic calamity. We should never have bought such snake oil."

Will Hutton in the Observer yesterday

The feel of England is just about to flip over.

The present circumstances are bound to lead to a bit of soul searching: if we're not The City, what are we?

If you have ever even asked that question, let alone have an answer, the tide is now running in your direction at a ferocious pace.

So we had better make the most of the chance.

September 22, 2008

Umm. Err. Umm. Err...

Over the last fifteen or twenty years British culture (certainly English culture, that might be a bit unfair on Scotland and Wales) has been a derivative of London's position as a command and control centre of globalisation.*

You don't think so? Come on, what is English culture?

Property, expensive restaurants (TV chefs, for example, are a derivative of a derivative, a sort of sub prime cut) and contemporary fine art.

Just the sort of one-off experiences and objects, with infinitely inflatable prices, that you need if you've made a fortune nudging 1s and 0s up and down wires and are looking for something to spend it on.

So. Umm. Err. Umm. Err. What now?

Maybe we can have a new culture? With a different sense of value?

But maybe after 20 years, there is nothing (and nowhere) left to support those other values?

*The Global City, Saskia Sasson, Princeton University Press, 1991

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